HERITAGE IN PALESTINE: COLONIOL LEGACY IN POSTCOLONIOL DISCOURSE
Khaldun Bshara | Springer Link
2013
This essay addresses the need to look into ‘postcolonial’/‘post-Oslo’ Palestine heritage discourses and practices to uncover commonalities and divergences. These practices and discourses, I claim, tell a story about hidden codes of subjectivity while revealing the setbacks of postcolonial heritage discourses in a ‘postcolonial era’. I show that the Palestinian ‘postcolonial’ heritage polices and preservation practices echo colonial discourses in terms of approach, legal framework and end results. My premise is built on a long engagement with governmental and non-governmental heritage organisations as well as the literature on the topic that shows heritage discourses and practices implicated within the specific narrative that they are destined to (re) produce. I claim that postcolonial approaches to the material culture, consciously and unconsciously, reproduce the colonial situation and while the impetus towards preservation itself is a symptom of postmodernity, it is still carried out in a modernist spirit. Throughout my analysis, I show that what spills out from the heritage discourses, as well as the unintended consequences of heritage practices are worth considering in any analytical approach of heritage discourses.
2013
This essay addresses the need to look into ‘postcolonial’/‘post-Oslo’ Palestine heritage discourses and practices to uncover commonalities and divergences. These practices and discourses, I claim, tell a story about hidden codes of subjectivity while revealing the setbacks of postcolonial heritage discourses in a ‘postcolonial era’. I show that the Palestinian ‘postcolonial’ heritage polices and preservation practices echo colonial discourses in terms of approach, legal framework and end results. My premise is built on a long engagement with governmental and non-governmental heritage organisations as well as the literature on the topic that shows heritage discourses and practices implicated within the specific narrative that they are destined to (re) produce. I claim that postcolonial approaches to the material culture, consciously and unconsciously, reproduce the colonial situation and while the impetus towards preservation itself is a symptom of postmodernity, it is still carried out in a modernist spirit. Throughout my analysis, I show that what spills out from the heritage discourses, as well as the unintended consequences of heritage practices are worth considering in any analytical approach of heritage discourses.
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